Mt Best - Australia   


  Solar House Tour
   Energy efficiency
   Power station
   Solar heating
   Floor insulation
   Solar hot water
   Worm farm
   Chest fridge
   Bubble glazing
   3phase pumping
   Vegie Garden
   80% efficient stove
   Tips for your home

  Forest
  Fern tree gullies
  Grow rainforest?
    Our rainforest
    Extending forest
    Tree nursery
    Direct seeding
    Planting on slopes
    Bristol 25 tractor
  Guitar concerts

  Best guitar tuning

  Guitar optimization

  Guitar music

  
House in a forest
  Night Life
  Ocean views
  Sunrise & sunset
  Snowtime
  Waterfalls
  Wildlife
    Wild koalas
    Tigers
    Redback spiders
  Links

  Retreats
  Home

   
 

Optimal tuning of classical guitar
part 1: tuning strings

by Dr Tom Chalko

Have you noticed that your guitar is "out of tune" at some higher fingerboard positions, even if all strings seem in tune in lower positions?

The single most important property of a musical instrument is an ability to tune it.

If an instrument cannot be tuned perfectly, it becomes an expensive piece of woodwork that does not deserve to be called "musical instrument".

My approach to this problem in the past was to aim for a "tuning compromise" so that all notes on the fingerboard were "equally badly off".

Eventually I decided to modify my guitar to achieve perfect tempered scale tuning by means of optimizing the bridge support point for each string individually.

In theory, the XII fret should be exactly in the middle of the string. However, when the string is pushed towards the fingerboard, the tension in the string increases and this (of course) changes the pitch.

This change of pitch is different for each string in a set due to differences in string tensile stifnesses. G3 string is typically the stiffest and produces the largest pitch changes.

My method of finding the optimal string support point on the guitar bridge relies on matching the pitch of the 1-st octave (half-string) harmonic with the pitch of the string when pressed down in XII position.

If they are matched, and fingerboard is of a reasonable quality, all notes played on this string anywhere on the fingerboard are tuned in the best way possible along the tempered scale.

Optimal bridge support point can be different not only for each string in a set, but also can depend on a choice of strings and their tension ratings.

Fig. 1 depicts an "adjustable" solution. It implements 6 tiny ebony blocks, each with a slot for a string. To prevent these tiny blocks from moving around on a slipery surface of the bridge I equipped the bottom of each block with a layer of 1200 grit sandpaper, by glueing the sandpaper with an epoxy resin.

As you can see in the Fig 1. every string is supported at a different length and none of the supports are where the instrument maker (Rudolf Klier of Erlbach, Saxony, Germany) designed them in 1975...

For the first time since I acquired the guitar from Rudolf Kier in 1975 I was able to tune it perfectly and confirm the tuning precision with a spectrum analyzer.

I was greatly surprised how much this perfect tuning increased my joy of playing. All octaves and cords became perfectly tuned, up to XIX position...

After playing with the adjustable bridge tuning system shown in Fig 1. for a while I noticed that positions of bridge blocks changed very little and decided to make a permanent bridge bone, depicted in Fig 2.

 


Fig.1 Adjustable individual bridge supports for each string enable perfect tuning of a classical guitar along a tempered scaleFig 2. Fixed bridge bone is more than twice as thick as usual to facilitate tempered scale tuning and maximizes the stiffness of strings-to-guitar-top connection by increasing the surface area of string support.
--------------------------------------------
Precisely fitted one-piece bridge bone provides maximally stiff connection between strings and guitar top to improve transmission of vibrations from string to the guitar top. This strategy improves guitar sound quality and volume.

The most noticeable effect of perfect tuning was the improvement in the ability of guitar to sustain sound.

The theory of this effect is quite simple: when notes in chords are in tune, harmonics from plucked strings resonate with harmonics on other strings, maximizing the sound energy and sound amplification.

In contrast, when notes in cords are out-of-perfect-tune, even very little, the opposite effect takes place: harmonics from different strings distrurb (interfere with) one another, reducing the sound energy projected by guitar.

The only shortcoming of custom-fitted bridge bone is that it needs to be precisely manufactured using specially designed machine tools followed by laborious manual adjustments.

But the result is really worth the effort.

I have implemented the fixed bridge bone solution to 2 guitars that I own and results are quite remarkable. Guitars came to life...

Please contact me if you are interested in maximizing the performance of your guitar.

Another technique that I use to optimize guitar sound is described here.